Nathan Gray's works take common restrictions as their starting point; curatorial briefs, self-imposed and group negotiated rules and the various physical, legal, economic and material restrictions of exhibition, performance and everyday life. Inspired by Julian Dashper’s video lecture Untitled (this painting), Gray’s Untitled (ß) speculates on the conceptual and physical parameters of his own performance to camera for This is not film-making, asking "What is the work? What is it now and in the future?"