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Tokyo Magic Hour 2005 Directed by Amir Muhammad
An experimental romance between two men is narrated against digitally manipulated imagery of that city. The narration consists of passionate verses that form a heightened, chronological record of a love affair, arranged in distinct sections, which can be termed Meeting, Loving, Lusting, Parting and Remembering. One section, Magic. breaks away from the poetry-as-narration to present instead poison charms, exorcism chants and dream interpretations.
