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Película hecha en casa con pelota y muñeca 1962 Directed by Eugenio Granell
Moving torward the idea of the tableau, animation. There is absolutely no censorship in Granell’s work. Poetry blossoms, shrouding unrecognisable figures where trees, animals and people merge into hybrid beings that undergo constant metamorphosis. Works where the strong colours are framed insculptural compositions, in human figures on the verge of formal delirium, or in voluptuous compositions that appear to be a microscopic dimension of an unknown world.
