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Cinemalgie 1964 Directed by Pierre De Montvallon
Long before Woody Allen, the author sends his character onto the screen, where he ends up in the hands of mystical surgeons, revealing himself to be a movieman undergoing an intricate spiritualist montage. It is not the intestines that emerge from his abdominal cavity, but skeins of film. For cinephiles of new generations, this is a truly encyclopedic sketch about the technology of cinematic nature. Double exposure reprises; silhouettes in the negative (meaning not a bad mood, but a film original); editing with barbaric scissors – the character on the screen loses half of the body; there are gastric wastes in the form of a silent movie film with a silent hero.
